Prasanna’s Bliss Factor

I listened to ‘Bliss Factor’ from Guitar Prasanna’s album ‘Be the Change’ for the first time only day before yesterday. I liked it in the first listening itself. But, yesterday when I listened to it again, I became totally crazy about it and listened to it continuously for about 15 times! I love Shalini’s singing in this one especially when she sings the swarams ‘R R G M P M…’. I just can’t stop myself from listening to it! Even before starting from home today morning, I listened to it for some 4 times. Those who have not listened to it, please do.

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Concerts – Part 3

Guitar Prasanna on 28/12/2006 at Bharatiya Vidya Bhavan
Prasanna started the concert with Nattakurunji varnam. He was accompanied by J.Vaidyanathan on the Mridangam and E.M.Subramanian on the Ghatam. After playing compositions in Abhogi, Devaranji, Kapi, Jayantasena, Kedaragowlai and Sindhubhairavi, he played an alapana of Harikambhoji raagam and did a raaga bedham at madhyamam and played Mohanam. After this he played Raghuvamsasudha after someone in the audience asked him to play it. While playing Kalyani alapana he did a graha bedham and played raagas Harikambhoji, Karaharapriya and Sankarabharanam. Talli Ninnu Nera, a composition of Syama Sastry was the one he played in Kalyani. After playing Vanchatonuna in Karnaranjani, again an audience request, he concluded the concert with ‘Bowling for Peace’, that he termed as neither a varnam nor a kriti but just a piece of music that he had composed for his album, Electric Ganesha Land’.

Guitar Prasanna on 30/12/2006 at Sivagami Pethachi Auditorium (Brahma Gana Sabha)
In this concert, Prasanna was accompanied by Mannargudi Easwaran on the Mridangam and Purushotthaman on the Khanjira. The highlight of this concert was the Raagam Taanam Pallavi in 4 raagams that he said he had composed only on the previous evening. The pallavi was Anandam Sachchidaanandam Paripoorna Brahmosmi where Anandam was in raaga Revathy, Sachchidaanandam in Hamsadhwani, Paripoorna in Hindolam and Brahmosmi in Mohanam! The composition was superb! The tani avartanam was one of the best that I have heard in the season. After the Tani, Prasanna said in all his concerts people left only after the Tani Avartanam! Some of the other songs that he played are Nannuvidachi in Reetigowlai, Endaro Mahanubhavulu, Alaipayuthey. He ended this concert also with ‘Bowling for Peace’.

I enjoyed both the concerts very much. Does the fact that not many people turned up for both his concerts inspite of Prasanna playing so beautifully show that still not many like to hear Carnatic music played on guitar?

Guitar Prasanna’s Concert

I went to Guitar Prasanna’s first concert of the season at Chettinad Vidyashram that was held as part of the Margazhi Mahotsavam. He was accompanied by Prapancham Ravindran on the Mridangam and Umashankar on the Ghatam.
He started the concert with the popular Dikshitar kriti, Maha Ganapatim in Nattai raagam, after playing a brief alapana of Nattai. He then played an alapana of Denuka raagam and did a Graha Bedham and played the raagas Chitrambari and Shanmugapriya. He then followed it up with the Tyagaraja kriti, Teliyaleru Rama in Denuka. The next one was Raghunatha in Swararanjani raagam, a composition of Ramnad Srinivasa Iyengar. He then played an alapana of Mohanam and did a Graha Bedham and played the raagas Madhyamavati and Suddha Dhanyasi. Kadambari Priyayai, a Dikshitar krithi, was the one he played in Mohanam and this was followed by the Tani Avartanam. The final piece of the concert was from Prasanna’s latest album, Electric Ganesha Land, called ‘Bowling for Peace’. On the whole, the concert was a fabulous one.